Title
Haiti: Witnessing as revolutionary praxis in Raoul Peck’s films
Document Type
Article
Publication Date
2013
Department/School
African American Studies
Abstract
On the importance of depicting violence in the films by Raoul Peck (notably "L'homme sur les quais" and "Haitian corner") and how this is seen as a necessity for subsequent revolutionary action on the part of the viewer.
Recommended Citation
Pressley-Sanon, T. (2013). Haiti: Witnessing as revolutionary praxis in Raoul Peck’s films. Black Camera, 5(1), 34.