Faculty Scholarship from 2021
Portraying issues of incarceration and (in)justice for young readers, Ramona Caponegro
Is the faculty of language a “perfect solution” to the interface systems?*, Sameul D. Epstein, Hisatsugu Kitahara, and T. Daniel Seely
A minimalist theory of simplest merge, Samuel David Epstein, Hisatsugu Kitahara, and T. Daniel Seely
Is linguistic variation entirely linguistic? *, Samuel D. Epstein, Miki Obata, and T. Daniel Seely
Everyday advocacy: Teachers who change the literacy narrative, Cathy Fleischer and Antero Garcia
Judith Taverner as dandy-in-training in Georgette Heyer's Regency Buck, Laura J. George
Hieroglyphs of the inverted world, Rob Halpern
Introduction: New narrative, Rob Halpern and Robin Tremblay-McGaw
Saturation project, Christine Hume
Introduction to Focus: Girlhood, Christine Hume and Christina Milletti
Introduction, Heather Neff
Toward explaining language: The minimalist perspective, T. Daniel Seely
Faculty Scholarship from 2020
Young adult romance, Amanda K. Allen
Shakespeare’s “vicious blots” and the diction of later English bible translations, Phillip Arrington
Bruce Boone dismembered: Selected poems, stories, and essays, Bruce Boone and Rob Halpern
Cruising dystopia in Gulliver's Travels, Abby Coykendall
Reception and criticism (1960 to present), Joseph Csicsila
Shakespeare's cognitive ethology: Bias as plasticity, Craig Dionne
Studying the over-time construction of knowledge in educational settings: A microethnographic discourse analysis approach, Judith L. Green, W. Douglas Baker, Monaliza Maximo Chian, Carmen Vanderhoof, Lee Anna Hooper, Gregory J. Kelly, Audra Skukauskaite, and Melinda Z. Kalainoff
A voice to perform: One opera / two plays, Carla Harryman
A different shade for each person reading the story, Christine Hume
Alternative hospitalities on the margins of Europe, Nataša Kovačević
Composition, decomposition, and the rhetoric of the war story, Bernard A. Miller
Introduction, Heather Neff and Jasmine Lee
A framework for résumé decisions: Comparing applicants’ and employers’ reasons, Chalice Randazzo